- Chord tones — 1h
- 7th chord permutations (all starting on 1, all starting on 3)
- Harmonising F Lydian scale (just because major all the time is boring, lol)
- Applying inversions over jazz standard (1st, 2nd & 3rd in different shapes, trying slides this time)
- 7th chord permutations (all starting on 1, all starting on 3)
- Pick — 40m
- Playing Jamerson part to the click (“Ain’t No Mountain High Enough”)
Observations
Can I at some point have a day when I’ll harmonise all scales of all modes in all keys with all inversions of 7th chords played in all permutations? Just like Adam Neely played major scales in broken intervals for 6 hours non-stop? No. It will certainly take longer that a day, lol.