Bass day (1h 45m)

  • Scale studies
    • Linking shapes (Scott exercise)
      • All Dorian scales in I position
      • All Ionian scales in I position
    • Minor blues scale permutations + shapes in all keys
    • Same for major blues and Lydian pentatonic
    • Apply to Imaj7 — VI7 — ii — V7 (Lydian pentatonic over maj7, major blues over dominant and minor blues over m7)
  • Quick pick practice
  • Reading melodies
    • A Night In Tunisia (recap)

Bass day (1h 40m)

  • Chord tones / Walking bass
    • Major 7th chords around the cycle of 4ths in all inversions, permutation used: 1-3-7-5
    • Minor 7th chords around the cycle in root & first inversion, 1-3-7-5 permutation
    • Walking with inversions & permutations
      • A Beautiful Friendship in Eb
  • Pick
    • For Once In My Life (Jamerson, you’re crazy!)

Next time: 3 new permutations, do all minor inversions, continue with pick practice, run blues scales & pentatonics up and down the neck

Bass day (1h 40m)

  • Chords (1h 20m)
    • Harmonising C major &  G major scales with closed voicings
    • Harmonising C, G & D major scales with open voicings
    • Playing along to Autumn Leaves with all closed, all open and then mixed voicings
    • Playing to All Of Me with mixed voicings + improvising using chord tones (AWESOME!)
  • Chord tones (25m)
    • Harmonising F major scale with all 12 permutations (starting on 1 and 3)
  • Pick
    • Trying out chords with pick (didn’t really work)

Bass day (1h 40m)

  • Chord tones — 1h 20m
    • 7th chord permutations (all starting on 1)
      • Harmonising C Dorian, F Dorian and Bb Dorian scales
    • Applying permutations over jazz standard (all starting on the root and then several starting on the 3rd)
  • Pick — 20m
    • Line from the “Famous Bass Lines” book by Larry McCabe (to be honest, most of them are pretty boring and just meandering around minor / major pentatonic, so I’ll probably get some new transcriptions for this part of my practice)