Bass day (1h 20m)

  • Modes
    • Improv (emphasis on altered scale degrees) over Ionian, Aeolian, Lydian, Mixo and Dorian cycling progression (2 bars of each key)
  • Chord tones (Phil Mann)
    • Dominant 7th chord arpeggios in all inversions consequently, chromatically up the neck, in two fingerings
    • Same with m7b5 arpeggios

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