- Modes
- Improv (emphasis on altered scale degrees) over Ionian, Aeolian, Lydian, Mixo and Dorian cycling progression (2 bars of each key)
- Chord tones (Phil Mann)
- Dominant 7th chord arpeggios in all inversions consequently, chromatically up the neck, in two fingerings
- Same with m7b5 arpeggios