- II — V — Is (Dan Haerle)
- Minor (format 1) — w/ click, pausing between chords to figure out voicings
- Major (both formats)
- Applying shell voicings to a jazz standard (playing over the drums + walking bass play-along track)
Tag: standards
Bass day (1h 30m)
- Chord tones (Phil Mann) — 40m
- All triads in all inversions around the cycle (70bpm)
- All 7th chords in all inversions around the cycle (70bpm)
- Break
- Walking bass lines + chord tones
- Soloing workshop: asc / desc arpeggios over Autumn Leaves in G-
- ii — V — I patterns
- 7th chord inversions over Autumn Leaves in G-
Observations
Struggling a bit with playing inversions backwards, especially in the context at high tempos. Need to work on it next time!
Bass day (1h 20m)
- Chord tones (Phil Mann)
- Major triads in all inversions around the cycle of 4ths
- At 50bpm calling out all notes while playing
- At 70bpm without such madness
- Minor triads in all inversions around the cycle, without click
- Walking bass line (Scott Devine)
- Autumn Leaves in D-
- Chord tones + chromatic notes
- Adapting G- patterns to the new key
Bass day (1h 20m)
- Chord tones (Phil Mann): major triads in all inversions around the cycle of 4ths while saying out loud the note names (50bpm—74bpm)
- Walking bass lines (Scott): static chord vocabulary + recap ii – V — I minor & major patterns over Autumn Leaves in G-
- Short soloing over Autumn Leaves also in G-
Bass day (1h 30m)
- Major triads in all inversions around the cycle of 4ths, with click at 50bpm (Phil Mann’s Chord Tones course)
- Major & minor ii — V — I lines over Autumn Leaves in G-, all patterns used
- Soloing in G- over Autumn Leaves using chromatics — watch the tendencies of getting back to minor pentatonic box and prevent this from happening!
