Bass day (1h 30m)

  • Scales studies
    • Linking shapes (Scott exercise)
      • All Aeolian scales in V position
      • All Ionian scales in I position (recap)
    • Minor blues scale permutations
    • Scale dissection
      • Minor blues: R, b7 (above & below), b3, 4
      • Major blues: R, 2, 6 (above & below), 5
      • Lydian pentatonic: R, #4
    • Applying scale tones over I — VI7 — ii — V7 in all keys
  • Reading melodies
    • Afro Blue (from Real Book in bass clef)
    • Hrabe etude #4 (in Bb)

Observations

New exercise! I try to test different approaches to scale fluency, and this time I decided to take the scales that I’m currently actively working on on piano and focus on particular degrees, playing them above as well as below the root. In my opinion, it should really help to achieve fluency in any given scale regardless of the position on the fretboard where you happen to be when you need to apply it. It is especially cool with pentatonics, because their nature kind of encourages you to use pattens and it’s very easy to get caught in the box shapes slavery. I’m using Phil Mann’s permutation approach to twist the scale like a want and also Todd Johnson’s “above / below” trick. Also trying to sync my bass and piano routines to make practice overall more productive. How am I doing, Mr. Devine? Am I organised enough? :lol:

Piano day (2h)

  • Improv / scales study
    • Locrian 2-octave scales in all keys with two hands
    • Locrian improv is all keys (over m7b5 around the cycle in iReal)
    • Aeolian scales in all keys
    • Aeolian improv (same approach)
    • Minor blues: quick recap in C thru Eb
  • Voicings + modal
    • Cycling Mixolydian ii — v over I7 in all keys
    • Cycling Mixolydian IVmaj7 — v over I7 in all keys
  • Left hand
    • Intervallic patterns
      • Cycling broken tenths (1-5-10) in m & M
      • Cycling 1-5-10 + 5-6 in m & M

Piano day (1h 20m)

  • Jazz voicings (Dan Haerle)
    • Major ii — V — I’s around the cycle of 4ths, format 1 (skill 40) at 90bpm — 20m
    • Major ii — V — I’s around the cycle of 4ths, format 2 (skill 41) at 70bpm — 20m
    • Applyiing patterns: playing from chord chart to the walking bass line & shuffle, using 3-7-9, 3-6-9 and 7-3-5 voicings as well as some chord tones based fills — 20m
  • Scales & harmonisation
    • 2-octave scales with both hands in similar motion (just needed to recap): Ionian, Aeolian and Dorian around the cycle — 20m

Piano day (1h 20m)

  • Harmonising Ionian scale with block 7th chords
  • Harmonising Aeolian scale with block 7th chords
  • Same with 7-3-5 voicings

Observations

Yikes! I found the way to apply my  jazz voicings studies to the scale harmonisation, just like I recently found a way to blend Phil Mann’s Chord Tones course with Scott’s Jazz Survival Guide in my bass days. Shell voicings! I can play them more or less quickly, plus I can harmonise major modes, and now how about harmonising them in 7-3-5 or 3-7-9?! JUST WHEN YOU THOUGHT YOU GOT GOOD— Lol. It’s so fun actually. I love the endless possibilities to improve that jazz offers you.