- Voicing skills — 1h 20m
- Quick recap II — V — I — IVs in major + relative minor
- II — V — I — IV in major + relative minor with embellished chords (m9 — 13 — △9 — △ — m7b5 — 7b9 — m9) — did’t really get through all keys, but boy it was intense anyway
- Improvisation
- Minor 12-bar blues in C, F and Bb while using blues, Dorian & Hm scales in RH
- Harmonic minor
- Scales with two hands in all keys
- Harmonising Hm1 in C
Category: piano
Piano day (2h 10m)
- Voicing skills
- II — V — Is in major + relative minor (all keys, no stops, with click)
- Dominant to major (7-3-6 to 3-7-9)
- Dominant to major (3-7-9 to 7-3-5)
- Recap all minor to dominant (7-3-5 to 3-7-9 and 3-7-9 to 7-3-6)
- Recap (real quick) cycling major 7ths, minor 7ths and dominant
- Improvisation
- Major & minor 12-bar blues in C, F and — unexpectedly — C#- (just because I needed to play some brain games again
) - Trying iv — i — vib5 — iib5 in 3-5-7-9 — 7-9-3-5 — 7-1-3-b5 — 3-b5-7-9 transition in several keys (damn it’s hard, and I didn’t even get to keys like Bb-, lol)
- Major & minor 12-bar blues in C, F and — unexpectedly — C#- (just because I needed to play some brain games again
Piano day (2h 15m)
- Voicing skills (1h)
- Minor to dominant (7-3-5 to 3-7-9)
- Minor to dominant (3-7-9 to 7-3-6)
- Dominant to major (7-3-6 to 3-7-9)
- Recap cycling major 7ths, minor 7ths and dominant (7-3-5 — 3-7-9 and backwards)
- Modes of harmonic minor (1h)
- 3rd mode of H. M.: harmonising in C (A harmonic minor)
- Recap 1st and 2nd modes (key of C)
- Improv in 2nd mode (key of C = Bb harmonic minor)
- All harmonic minor scales with both hands is all keys (15m)
Piano day (2h)
- Voicing skills
- Cycling major 7ths: 7-3-5 to 3-7-9 and backwards
- Cycling minor 7ths: same
- Cycling dominant 7ths: same idea
- Minor to dominant (7-3-5 to 3-7-9)
- Minor to dominant (3-7-9 to 7-3-6)
- Modes of harmonic minor
- H. M. scales with both hands in all keys
- 2nd mode of H. M.: harmonising C & F scales
- Improv in 2nd mode (keys of F and Bb)
Observations
I should’ve got to this before! Harmonic minor modes are literally a whole new world! I definitely used these chords and colours before, but finally knowing where they come from is so revealing and — well, it just speeds up the writing process so much when you actually know how things work. I’ve been told this during my study in the music school and I repeatedly find more and more evidence to this. Knowing the math is very helpful!
Pano day (2h)
- 13th chords in all keys (exercise from the “Jazz Language” book by Dan Haerle)
- Minor, major, dominant in full form (7th + triad polychords)
- Modes of harmonic minor
- 1st mode scales in all keys with both hands
- Harmonising C, F, Bb harm. minor scales
- Improvisation over diatonic chords with the key scale
Observations
V7 — VImaj7 transition in the harmonic minor sounds absolutely amazing! Feels like it’s about to push my long-time favourite Dorian i — IV7
