• Scales studies
  • Linking shapes (Scott exercise)
    • All Aeolian scales in V position
    • All Ionian scales in I position (recap)
  • Minor blues scale permutations
  • Scale dissection
    • Minor blues: R, b7 (above & below), b3, 4
    • Major blues: R, 2, 6 (above & below), 5
    • Lydian pentatonic: R, #4
  • Applying scale tones over I — VI7 — ii — V7 in all keys
• Reading melodies
  • Afro Blue (from Real Book in bass clef)
  • Hrabe etude #4 (in Bb)

Observations

New exercise! I try to test different approaches to scale fluency, and this time I decided to take the scales that I’m currently actively working on on piano and focus on particular degrees, playing them above as well as below the root. In my opinion, it should really help to achieve fluency in any given scale regardless of the position on the fretboard where you happen to be when you need to apply it. It is especially cool with pentatonics, because their nature kind of encourages you to use pattens and it’s very easy to get caught in the box shapes slavery. I’m using Phil Mann’s permutation approach to twist the scale like a want and also Todd Johnson’s “above / below” trick. Also trying to sync my bass and piano routines to make practice overall more productive. How am I doing, Mr. Devine? Am I organised enough?