Bass day (1h 30m)

  • Warm-up: walking bass line to a jazz standard with chromatic passing tones, reading in Nashville notation
  • Chord tones (Phil Mann)
    • Major 7th chord arpeggios in all inversions consequently, chromatically up the neck, in two fingerings
    • Same with minor 7th and dominant 7th chord arpeggios (also in 2 fingerings)
    • Applying inversions: 2nd & 3rd in ascending & descending motion to a jazz standard (+ passing tones)

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