- Warm-up: walking bass line to a jazz standard with chromatic passing tones, reading in Nashville notation
- Chord tones (Phil Mann)
- Major 7th chord arpeggios in all inversions consequently, chromatically up the neck, in two fingerings
- Same with minor 7th and dominant 7th chord arpeggios (also in 2 fingerings)
- Applying inversions: 2nd & 3rd in ascending & descending motion to a jazz standard (+ passing tones)
Bass day (1h 30m)
Published
