Piano day (2h)

Modal studies
- Harmonising Mixolydian mode with shells (3-7-9) — C, F, Bb, Eb, Ab, Db
- Harmonising Dorian mode with shells (3-7-9) — C, F, Bb, Eb
Improvisation
- Lydian pentatonic in all keys over major chords in 7-3-6 shells
- Recap minor blues scale
- Harmonising Mixolydian mode with block chords & 7-3-5 shells in LH & runs starting on each new scale degree in RH (C-D-E-F…, D-E-F-G…, F-G-A-Bb…, etc.)
- Same for Dorian
Comping
- Free comping over “Worth the Wait” in Eb (just chords & focus on voice leading)
- “Worth the Wait” in C — block chords in LH, chord scales in RH

Piano day (1h 40m)

Improvisation
- Chromatic progressions
  - Mixolydian scales over dominant 7th chords in shells in all keys
    - LH separately
    - Shells with LH
    - Arpeggiated shells with LH
  - Dorian scales over minor 7th chords in shells in all keys (same approach)
- Just a quick Lydian pentatonic recap
Modal studies
- Mixolydian transitions between all degrees in A — B voicings (F)
  - Base 7-3-5
  - Base 3-7-9
- Same with Dorian (C, F)

Jazz voicings
- Recap: cycling all maj7 shells (base 7-3-5, base 3-7-9)
- Recap: cycling all m7 shells (base 7-3-5, base 3-7-9)
- Recap: cycling all 7 shells (base 7-3-5, base 3-7-9)
- Cycling all dominant sus4 / polychords
- Recap: minor to dominant in two formats
Modal studies
- Voice leading patterns in Dorian (A — B voicings)
- Voice leading patterns in Mixolydian

Extensions
- Recap m/M 6ths in all keys
Modal studies
- Dorian runs in all keys
  - Focus on b3 & b7
  - Focus on M6
  - Combine + add P5 & P4
- Mixo runs in all keys
  - Focus on ♮3 & b7
  - Focus on M6
  - Combine + add P5 & P4
Chord tones / walking bass
- All inversions over standard (Worth the Wait) ascending, descending, octave above & below, add 6ths & 4ths occasionally