Piano day (1h 30m)

Piano day (1h 40m)

Improvisation (Dan Haerle — Jazz Improvisation for Keyboard Players)
- Lesson 12: Cycling progressions of 5ths in shell voicings + improv with corresponding Mixo & Dorian scales
  - Dominant chords around the cycle of 4ths in 7-3-5 & 3-7-9 — click at 80bpm
  - Minor to dominant around the cycle — click at 80bpm
  - All Mixo & Dorian scales with both hands

Walking bass
- Practice with Nashville number notation (several random keys over Mixolydian and Dorian progression)
  - Focus on chormatic transitions avoiding the root (e. g. to the 3rd or to the 5th of the following chord)
Chord tones (Phil Mann)
- Major 7th chord arpeggios in all inversions consequently, chromatically up and down the neck
- Practice 7th chord inversions over a standard in Nashville notation (focus on 2nd inversion, up and down + improv)

Jazz voicings
- II — V — I’s in 7-3-5 — 3-7-9 — 7-3-5 / 7-3-b5 — 3-7-b9 — 7-3-5 in major & parallel minor: C through Db
Harmonising major scale with 7th chords (all keys)
Harmonising Dorian scale with 7th chords (all keys)

Chord tones
- Harmonising Dorian scale with 7th chords — all inversions, playing to the click, no pauses
  - D Dorian
  - A Dorian
  - E Dorian
- II — V — I’s
  - In the keys of C, F, Bb & Eb, all inversions
Walking bass lines
- Dominant 2-octave bass line around the cycle of 4ths
- Improvisation over the same chord progression, emphasising the b7ths & b6ths

Observations

Finally getting better at 2-octave dominant scales! This time played with almost no mistakes.