Bass day (1h 30m)

  • Walking bass lines
    • Improvisation with emphasis on chromaticisms over “Airegin” and “All The Things You Are”
  • Groove techniques
    • Rich Brown exercise: shifting one pattern in 16th notes (I only managed to do starting on 1, on e and on a)

Observations

I definitely need to do more counting practice. I’m very used to feeling things, but when it comes to rhythmically shifting whole phrases within one bar, that’s when it starts to play tricks on your brain, and what you’re “feeling” is rather what you’re most comfortable with, but often not what’s rhythmically correct. Like, you might switch the beginning of the phrase, but — without being aware of it — still play the rest the same because it feels right. But it’s not! 😄 So, counting using 16th notes is really essential here. It’s tough, but becomes extremely fun when you get it sorted!

Bass day (1h)

Didn’t do too much consistent practice (only quick improv and mode runs sessions) during the last couple of days, as I was busy doing some production and other work. But I did play piano a lot while recording so it definitely counts! 😆

  • Chord tones
    • Harmonising F Lydian scale with 7th chords in all 24 permutations (root inversion). Yeah, and it was just one key, one mode, and only root inversion… “What can you practice for 8 hours straight?!” is not a question anymore, lol!

Bass day (1h 30m)

  • Walking bass / chord tones
    • 1-* & 3-* permutations of root inversion & 1st inversion (harmonising C Mixolydian)
    • Applying over All of Me in G-
  • Piano routine sync
    • Minor blues scale “inversions” (starting on 1 and running octave up, b3 and up to b3 octave above, same from 4, from #4, etc.) — in all keys cycling in 4ths
  • Chords
    • Triads recap
    • 7th chords 1st inversion w/o 5th