- Technical
- A Dozen A Day
- “Stretching”
- “Going Down Stairs”
- “Flinging Arms”
- “The Push-Up”
- Oscar Peterson — Jazz Exercises
- Exercise No. 1
- Jazz Menuet No. 1
- A Dozen A Day
- Jazz voicings
- Cycling dominant to minor (+7 to m9)
- Cycling dominant to minor (7b9 to m7)
- Modal studies
- Harmonising Mixolydian mode in all keys with shells (7-3-5 and 3-7-9)
- Improvisation
- Cycling minor blues scale in all keys over m7 shells (7-3-5)
- One octave runs
- Splitting runs between two octaves (b7, 1, b3 | (8va) 4, #4, 5, b7)
- Cycling minor blues scale in all keys over m7 shells (7-3-5)
Author: Jan
Je suis cool.
Bass day (1h)
- Chord tones / Walking bass
- Minor 7th chords around the cycle of 4ths in all inversions, permutation used: 1-3-7-5
- Dominant 7th chords, same thing
- Walking with inversions & permutations
- A Beautiful Friendship in C
This week’s packed in terms of studio time, so keeping the practice sessions kinda short.
Piano day (1h 20m)
- Technical
- Going through “A Dozen A Day” books and picking exercises for future practice sessions
Bass day (1h 40m)
- Chord tones / Walking bass
- Major 7th chords around the cycle of 4ths in all inversions, permutation used: 1-3-7-5
- Minor 7th chords around the cycle in root & first inversion, 1-3-7-5 permutation
- Walking with inversions & permutations
- A Beautiful Friendship in Eb
- Pick
- For Once In My Life (Jamerson, you’re crazy!)
Next time: 3 new permutations, do all minor inversions, continue with pick practice, run blues scales & pentatonics up and down the neck
Piano day (1h 30m)
(Back to practice after a 3-day travel.)
- Improvisation
- Minor blues scale in all keys (over m7 chords in 7-3-5 shells)
- Major blue scale in all keys over dominant chords in shells
- Alternating between major and minor blues (sounded like crap)
- Major Bebop scale in all keys around the cycle of 4ths (tried over major and dominant)
- Left hand
- 2-octave stride patterns
- Progression from “Just One of Those Things” (without right hand)
- Harmonising C minor with 2-octave jumps (root → 1st inversion with added m6, i. e. 3-6-1)
- 2-octave stride patterns
Next time: harmonise a tune from the Real Book, play to the walking bass & drums track, do some voicings, search for & add technical exercises
