- Voicing skills
- Recap shell voicings (exercises from “Jazz Piano Voicing Skills”)
- Dominant sus 4 in 4-7-9
- Dominant sus 4 in 7-9-4-6
- Recap shell voicings (exercises from “Jazz Piano Voicing Skills”)
- Improvisation
- Cycling dominant 7 chords + Mixolydian scales
- RH patterns: diatonic, 1-7-1-4-1-3-4, 1-7-1-3-5-1-4
- Cycling minor to dominant transition + Dorian & Mixo scales
- Cycling dominant to major 7 transition + Mixo scale
- Cycling dominant 7 chords + Mixolydian scales
Tag: voicings
Piano day (1h 40m)
- Dominant chords in chromatic progression in 3-7-9 voicings (Lesson 13 from “Jazz Piano Improvisation for Keyboard Players”)
- Blues progressions (Lesson 11 from the same book)
- I — IV — V in Bb
- 12-bar major blues in Bb
- Only LH patterns this time
- II — V — Is in major and parallel minor with no pauses in 3-7-9 / 3-7-5 around the circle of 5ths (my favourite exercise so far)
Piano day (1h 30m)
- Improvisation (Dan Haerle — Jazz Improvisation for Keyboard Players)
- Lessons 3—4
- Voicing chords with LH (3-7-9, 5-7-9, 6-7-9, etc.)
- Improv over progression with diminished chords (ex. 2)
- Recap II — V — I improv in 4 keys
- Jazz voicings
- II — V — I in major + parallel minor
Piano day (1h 40m)
- Improvisation (Dan Haerle — Jazz Improvisation for Keyboard Players)
- Lessons 1—3
- Flowing Melodic improvisation over II — V — I in C, F, G, Bb & D
- Jazz voicings (Dan Haerle — Jazz Piano Voicings)
- II — V — I in major + parallel minor
Piano day (1h 30m)
- II — V — I’s
- Major (both formats, with click, no pauses)
- Minor (format 1, with click, with pauses)
- 7-3-5 voicings chromatically up from C to C
- 3-7-9 voicings chromatically up from C to C
