Piano day (1h) Left hand Connecting LH shapes Minor (i) 1-3-5-7-1-3-(3/iv)-1-3-5-7— + descending shells Major (I) 1-5-10-(5/V)—1-5-10— + ascending shells
Piano day (1h 30m) Jazz voicings + Left hand connections 1-5-6 + shells in Mixo 1-5-10-1-3-5-6 + shells in Dor Scale studies Major bebop in all keys (improv) Minor blues (b7, 1-3-5) + rocking motion 1 → 3-7-1
Piano day (1h) Jazz voicings + Left hand ii — V — I m & M in 1-5-10 & shells Minor to dominant in 1-5-10 + 4 + 7 around the cycle (only left hand) Generic voicings (circle + ii — V7 — Is — C, F, Bb) — from Voicings for Jazz Keyboard by Frank Mantooth Scale studies All major & minor scales recap
Piano day (1h 40m) Jazz voicings ii — V —I’s (major & parallel minor over IV) in all keys, inverted arpeggios / inversions with LH Major & minor 7th chords around the cycle in all inversions Comping Using shells & chord scales over a standard (Worth the Wait in F) Mixo scale over dominant chords Dorian & minor blues over minor Lydian pentatonic over major
Piano day (2h) Jazz voicings Recap major 7th, minor 7th and dominant chords voice leading around the cycle (no pauses, at 86bpm) Minor to dominant and back around the cycle Same with dominant to major II — V — I — IV in major & parallel minor Harmonic minor All scales with both hands Improvisation + blues 12-bar major blues in C & F Minor blues scales separately: C, F, Bb, Eb, Ab, Db Transitions Dominant 7ths: 3-7-9 — 7-3-6 in LH, matching minor blues scale in RH (I know, but it sounds awesome!) Minor 7ths: 3-5-7-9 — 7-9-3-5 in LH, matching minor blues scale in RH