Piano day (1h morning & 20m real quick in the evening)

  • Jazz voicings (Dan Haerle)
    • Major ii — V — I’s around the cycle of 4ths, format 1 (skill 40) at 90bpm — 20m
    • Major ii — V — I’s around the cycle of 4ths, format 2 (skill 41) at 70bpm — 20m
    • Minor ii⊘ — V — i’s around the cycle of 4ths, format 1 (skill 42) w/o click — 20m
    • Major ii⊘ — V — i’s around the cycle of 4ths, format 2 (skill 43) w/o click — 20m

Piano day (1h 40m)

Jazz voicings (Dan Haerle)

  • Major ii — V — I’s around the cycle of 4ths, format 1 (skill 40) at 84bpm — 20m
  • Major ii — V — I’s around the cycle of 4ths, format 2 (skill 41) at 84bpm — 20m
  • Minor ii — V — i’s around the cycle of 4ths, format 1 (skill 42), without click, then at 70bpm — 30m
  • Minor ii — V — i’s around the cycle of 4ths, format 2 (skill 43), analysis + playing without click — 30m

Observations

Man, minor is hard! 😵 But I’m also getting better at recognising 3 -7-9, 3-7-6 and 7-3-6 shell voicings (that are harder than 7-3-5 where you just need to see the 7th, and the rest of the chord is already there). Also, m7b5 — 7b9 — m9 is the an incredibly beautiful way to voice minor ii — V — i!