Piano day (1h 30m)

Jazz voicings
- II — V — I’s in 7-3-5 — 3-7-9 — 7-3-5 / 7-3-b5 — 3-7-b9 — 7-3-5 in major & parallel minor: C through Db
Harmonising major scale with 7th chords (all keys)
Harmonising Dorian scale with 7th chords (all keys)

Piano day (1h 20m)

Jazz voicings (Dan Haerle)
- Major ii — V — I’s around the cycle of 4ths, format 1 (skill 40) at 90bpm — 20m
- Major ii — V — I’s around the cycle of 4ths, format 2 (skill 41) at 70bpm — 20m
- Applyiing patterns: playing from chord chart to the walking bass line & shuffle, using 3-7-9, 3-6-9 and 7-3-5 voicings as well as some chord tones based fills — 20m
Scales & harmonisation
- 2-octave scales with both hands in similar motion (just needed to recap): Ionian, Aeolian and Dorian around the cycle — 20m

Piano day (1h 20m)

Harmonising Ionian scale with block 7th chords
Harmonising Aeolian scale with block 7th chords
Same with 7-3-5 voicings

Observations

Yikes! I found the way to apply my jazz voicings studies to the scale harmonisation, just like I recently found a way to blend Phil Mann’s Chord Tones course with Scott’s Jazz Survival Guide in my bass days. Shell voicings! I can play them more or less quickly, plus I can harmonise major modes, and now how about harmonising them in 7-3-5 or 3-7-9?! JUST WHEN YOU THOUGHT YOU GOT GOOD— Lol. It’s so fun actually. I love the endless possibilities to improve that jazz offers you.