Piano day (1h 40m)

Scale studies

Jazz voicings + left hand

  • ii — V9 — I∆ | iiø — V7b9 — i in all keys with broken 10ths and arpeggiated triads up an octave
  • Dominant to Major cycling (skill 38a from Jazz Piano Voicings) with 10ths & triad blocks in LH

Piano day (1h 40m)

Left hand + extensions

Modal studies

  • All Mixo scales

Voicings + left hand

  • Major & parallel minor ii7 — V9 — I∆7 — IV∆9 | iiø — V7b9 — im7
    • Only ascending broken 10ths + arpeggio octave above
    • Ascending & descending broken 10ths
    • Only descending broken 10ths
  • Focus on descending broken 10ths around the cycle

Melodic exercises

  • Diatonic Mixo 10th-based pattern

Piano day (1h 40m)

Scale studies + technique

  • Chromatic scales
    • Similar motion, at an octave
    • At at 3rd
    • At a major 6th
    • At a minor 6th
    • Contrary motion, at a 3rd
    • Alternate / legato fingering

Voice leading + shells

  • ii — V7 — I — IV in major & parallel minor (m7 — 7/9 — maj7 — maj7/9 | ø —7b9 — m7)

Left hand + combination workout

Piano day (1h 40m)

  • Jazz voicings
    • ii — V —I’s (major & parallel minor over IV) in all keys, inverted arpeggios / inversions with LH
    • Major & minor 7th chords around the cycle in all inversions
  • Comping
    • Using shells & chord scales over a standard (Worth the Wait in F)
      • Mixo scale over dominant chords
      • Dorian & minor blues over minor
      • Lydian pentatonic over major