Piano day (1h 30m)

II — V — I’s
- Major (both formats, with click, no pauses)
- Minor (format 1, with click, with pauses)
7-3-5 voicings chromatically up from C to C
3-7-9 voicings chromatically up from C to C

Piano day (2h)

II — V — Is (Dan Haerle)
- Minor (format 1) — w/ click, pausing between chords to figure out voicings
- Major (both formats)
Applying shell voicings to a jazz standard (playing over the drums + walking bass play-along track)

Piano day (1h 40m)

Jazz voicings
- Major ii — V — I’s in 2 formats (Dan Haerle)
- Minor ii — V — i’s in 2 formats (w/o click)
Improvisation + applying jazz voicings
- 7-3-5, 3-7-9, 7-3-6 over blues chord progression (drums + walking bass line)

Piano day (1h 20m)

Pretty much whole session focused on minor ii — V — i’s in 3-b5-7-b9 — 7-b9-3-6 — 3-5-7-9 voicing (skill 43 from Haerle book). Man that’s hard! Still playing it without click as it takes time to figure out b7ths & b9ths for complicated keys like Eb- or Ab-, but I’m getting there. Playing shell voicings like 7-3-5 or 3-7-9 after this feels like — whew, that’s easy!

Piano day (1h)

Improvisation
Major & minor ii — V — I / ii — V — i’s in format 2 (Dan Haerle)

A pretty relaxed & short session due to some production work that’s forcing me to bail on practising sometimes 😃). But I’m still playing piano while producting tracks, right? Does that count? Lol.